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	<title>Revolutions Per Minute</title>
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		<title>Revolutions Per Minute</title>
		<link>http://heccubus.wordpress.com</link>
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		<title>And That&#8217;s It</title>
		<link>http://heccubus.wordpress.com/2009/01/14/and-thats-it/</link>
		<comments>http://heccubus.wordpress.com/2009/01/14/and-thats-it/#comments</comments>
		<pubDate>Wed, 14 Jan 2009 20:49:26 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=107</guid>
		<description><![CDATA[One last post here, kids. Yup, Revolutions Per Minute is shutting its doors. Fear not, however, the blog will continue its life (sort of) over at Heccubus.Blog, where I will be continuing to muse about music irregularly. In the meantime, please feel free to (finally) take a look at my Best Albums of 2008 list. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=107&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>One last post here, kids.  Yup, Revolutions Per Minute is shutting its doors.  Fear not, however, the blog will continue its life (sort of) over at <a href="http://www.heccubus.com" target="_blank">Heccubus.Blog</a>, where I will be continuing to muse about music irregularly.  In the meantime, please feel free to (finally) take a look at my Best Albums of 2008 list.  This one was a seriously tough call, and a lot of really great albums were left out in the process.  <a href="http://rateyourmusic.com/list/heccubus/the_50_best_of_2008" target="_blank">Check out the list here</a>, and feel free to check out the following honourable mentions as well:</p>
<ul>
<li>Blood Red Shoes &#8211; <i>Box Of Secrets</i></li>
<li>Brian Eno &amp; David Byrne &#8211; <i>Everything That Happens Will Happen Today</i></li>
<li>Disfear &#8211; <i>Live the Storm</i></li>
<li>Fleet Foxes &#8211; <i>Fleet Foxes</i></li>
<li>Girls In Hawaii &#8211; <i>Plan Your Escape</i></li>
<li>Hair Police &#8211; <i>The Certainty of Swarms</i></li>
<li>The Hold Steady &#8211; <i>Stay Positive</i></li>
<li>The Kills &#8211; <i>Midnight Boom</i></li>
<li>Nachtmystium &#8211; <i>Assassins: Black Meddle Pt. 1</i></li>
<li>The Walkmen &#8211; <i>You &amp; Me</i></li>
</ul>
<p>So long, everyone.  Be sure to update your bookmarks and keep reading over at heccubus.com.  It&#8217;s been real.<br />
-Heccubus</p>
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		<title>Anticipating 2009</title>
		<link>http://heccubus.wordpress.com/2009/01/06/anticipating-2009/</link>
		<comments>http://heccubus.wordpress.com/2009/01/06/anticipating-2009/#comments</comments>
		<pubDate>Wed, 07 Jan 2009 03:09:26 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=104</guid>
		<description><![CDATA[While I work on polishing off the last of my Best of 2008 list, I&#8217;ve compiled a fairly cohesive list of most of the stuff coming out this year that I&#8217;m excited about. If I miss anything, or you have any additional recommendations, feel free to leave them in the comments: A.C. Newman &#8211; Get [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=104&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>While I work on polishing off the last of my Best of 2008 list, I&#8217;ve compiled a fairly cohesive list of most of the stuff coming out this year that I&#8217;m excited about.  If I miss anything, or you have any additional recommendations, feel free to leave them in the comments:</p>
<ul>
<li>A.C. Newman &#8211; <i>Get Guilty</i></li>
<li>&#8230;And You Willl Know Us By The Trail Of Dead &#8211; <i>The Century Of Self</i></li>
<li>Andrew Bird &#8211; <i>Noble Beast</i></li>
<li>Animal Collective &#8211; <i>Merriweather Post Pavilion</i>*</li>
<li>Annie &#8211; <i>Don&#8217;t Stop</i></li>
<li>Antony &amp; The Johnsons &#8211; <i>The Crying Light</i>*</li>
<li>Art Brut &#8211; <i>Art Brut Vs. Satan</i></li>
<li>Asobi Seksu &#8211; <i>Hush</i></li>
<li>Black Lips &#8211; <i>200 Million Thousand</i></li>
<li>Bruce Springsteen &#8211; <i>Working On A Dream</i></li>
<li>Casiotone For The Painfully Alone &#8211; <i>Advance Base Battery Life</i></li>
<li>Dälek  &#8211; <i>Gutter Tactics</i>*</li>
<li>Dan Deacon &#8211; <i>Bromst</i></li>
<li>The Decemberists &#8211; <i>The Hazards Of Love</i></li>
<li>Deftones &#8211; <i>Eros</i></li>
<li>Fever Ray &#8211; <i>???</i></li>
<li>Franz Ferdinand &#8211; <i>Tonight: Franz Ferdinand</i></li>
<li>Goblin Cock &#8211; <i>Come With Me If You Want To Live</i></li>
<li>Handsome Furs &#8211; <i>Face Control</i></li>
<li>Jay Reatard &#8211; <i>???</i></li>
<li>The Juan MacLean &#8211; <i>The Future Will Come</i></li>
<li>Kid Sister &#8211; <i>Dream Date</i></li>
<li>KTL &#8211; <i>IV</i></li>
<li>Mastodon &#8211; <i>Crack The Skye</i></li>
<li>Matt &amp; Kim &#8211; <i>Grand</i></li>
<li>Morrissey &#8211; <i>Years Of Refusal</i></li>
<li>MSTRKRFT &#8211; <i>Fist Of God</i></li>
<li>Neko Case &#8211; <i>Middle Cyclone</i></li>
<li>The Pains Of Being Pure At Heart  &#8211; <i>The Pains Of Being Pure At Heart </i></li>
<li>Patrick Wolf &#8211; <i>Battle</i></li>
<li>The Prodigy &#8211; <i>Invaders Must Die</i></li>
<li>Röyksopp &#8211; <i>Junior</i></li>
<li>Six Organs Of Admittance &#8211; <i>RTZ</i>*</li>
<li>Sonic Youth &#8211; <i>???</i></li>
<li>Swan Lake &#8211; <i>Enemy Mine</i></li>
<li>Thunderheist &#8211; <i>Thunderheist</i></li>
<li>Thursday &#8211; <i>Common Existence</i></li>
<li>Wavves &#8211; <i>Wavves</i></li>
<li>Yeah Yeah Yeahs &#8211; <i>???</i></li>
</ul>
<p>* Indicates that I already own this album.</p>
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		<title>The Worst Albums of 2008</title>
		<link>http://heccubus.wordpress.com/2008/12/17/the-worst-albums-of-2008/</link>
		<comments>http://heccubus.wordpress.com/2008/12/17/the-worst-albums-of-2008/#comments</comments>
		<pubDate>Wed, 17 Dec 2008 22:43:03 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=102</guid>
		<description><![CDATA[It&#8217;s that time of year again; the time of year when I start running through my collection of albums released in the past 12 months to come up with a couple of lists that no one could possibly care about. First up this year is my picks for my least-favourite and most-hated albums of 2008. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=102&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s that time of year again; the time of year when I start running through my collection of albums released in the past 12 months to come up with a couple of lists that no one could possibly care about.  First up this year is my picks for my least-favourite and most-hated albums of 2008.<br />
Click <a href="http://rateyourmusic.com/list/heccubus/the_worst_of_2008" target="_blank">here</a> to view.</p>
<p><b>WARNING:</b><br />
The above list is likely to offend people who aren&#8217;t comfortable enough with their own tastes to realize that other people may feel differently.  If you have a hard time accepting that not everyone agrees with your taste in music, you probably shouldn&#8217;t read it.</p>
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		<title>An Issue Addressed</title>
		<link>http://heccubus.wordpress.com/2008/11/25/an-issue-addressed/</link>
		<comments>http://heccubus.wordpress.com/2008/11/25/an-issue-addressed/#comments</comments>
		<pubDate>Tue, 25 Nov 2008 14:51:02 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=98</guid>
		<description><![CDATA[Y&#8217;know, for all the ragging on Pitchfork that people seem to take so much joy in, I honestly have to say that if it weren&#8217;t for them, I wouldn&#8217;t have the taste in music that I do. That website alone has introduced me to more music than any other source that I&#8217;ve ever used in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=98&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Y&#8217;know, for all the ragging on Pitchfork that people seem to take so much joy in, I honestly have to say that if it weren&#8217;t for them, I wouldn&#8217;t have the taste in music that I do.  That website alone has introduced me to more music than any other source that I&#8217;ve ever used in discovering new artists.  Just today, they turned me on to a band that I can&#8217;t believe I&#8217;ve gone so long without: <a href="http://www.myspace.com/thegaslightanthem" target="_blank">The Gaslight Anthem</a>.  The list of musicians that I&#8217;ve discovered purely through coverage on that website is too long to really get into here, and would likely take me days to compile.<br />
I can admit that their reviews are a little&#8230;.pointless at times.  Certainly there are a select few writers there that have a tendency to drone on endlessly about an album without really <i>saying</i> anything worth noting, but I don&#8217;t necessarily think that all of the content follows that suit.  My point basically is this:  it&#8217;s just a music website.  If you really think it&#8217;s worth your time to sit and bitch endlessly about it, then you probably don&#8217;t serve much of a useful role on this planet.</p>
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		<title>Things I Cannot Stop Listening To</title>
		<link>http://heccubus.wordpress.com/2008/10/30/things-i-cannot-stop-listening-to/</link>
		<comments>http://heccubus.wordpress.com/2008/10/30/things-i-cannot-stop-listening-to/#comments</comments>
		<pubDate>Thu, 30 Oct 2008 14:02:55 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=90</guid>
		<description><![CDATA[Okay, at least give me credit for trying to get back into a regular update schedule. Once in a while when I don&#8217;t really have that much to say opinion-wise, I&#8217;m going to do this little thing where I just list off a bunch of stuff that I really, really like right now. This week&#8211;hell, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=90&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Okay, at least give me credit for trying to get back into a regular update schedule.  Once in a while when I don&#8217;t really have that much to say opinion-wise, I&#8217;m going to do this little thing where I just list off a bunch of stuff that I really, really like right now.  This week&#8211;hell, this month, this year, this everything&#8211;I am obsessed with:</p>
<p><b>Mariah Carey &#8211; &#8220;I&#8217;ll Be Lovin&#8217; U Long Time (Designer Drugs Remix)&#8221;</b><br />
Okay, seriously, <a href="http://www.myspace.com/designerdrugsclubmusic" target="_blank">Designer Drugs</a>.  Can you guys like&#8230;fuck off?  You&#8217;re too damned good at what you do.  Every remix is a killer, every original track just pounds the shit out of everything else I get into when they drop.  You&#8217;re literally killing my entire collection of mixes just by existing.  By simply not ceasing to exist, you force me&#8211;<i>force me</i>&#8211;to include you in every single mixtape that I throw together.  Stop it.  Just fucking stop it.  Do <i>one</i> shitty track.  Just one, enough to make me stop thinking of you two as some sort of terrifying dancefloor gods.</p>
<p><b>Deerhunter &#8211; <i>Microcastle</i></b><br />
Every album that <a href="http://www.myspace.com/deerhunter">Deerhunter</a> release just gets better and better.  I mean, okay, their debut <i>Turn It Up Faggot</i> was pretty lousy.  I mean, really lousy.  But then last year they plunked <i>Cryptograms</i> down in front of me and said &#8220;Eat it, bitch&#8221; and I was hooked.  <i>Microcastle</i> heads for a more straightforward pop sound without losing the band&#8217;s noisier edge.  Absolutely one of the year&#8217;s best albums.</p>
<p><b>Mansion</b><br />
No particular track (no albums yet either), just&#8230;<a href="http://www.myspace.com/mansiondj" target="_blank">Mansion</a>.  Their music is like old-school house music blended with the current trend of harder electro and fidget sounds.  They single-handedly saved MSTRKRFT&#8217;s &#8220;Bounce&#8221; from becoming a tired, over-used mix staple into a truly bouncy (see what I did there?  Wokka wokka wokka.) house track that comes close to surpassing the original.  They did this, of course, by eliminating most of N.O.R.E.&#8217;s questionable rhymes, while retaining the bulk of <a href="http://www.myspace.com/thunderheist" target="_blank">Thunderheist</a> leading lady Isis&#8217; woefully uncredited vocal contributions.  And speaking of Thunderheist&#8230;</p>
<p><b>Thunderheist</b><br />
Expect the mighty VanHeisten to make an appearance on every single one of these lists for the conceivable future.  I can&#8217;t get enough of these kids, and their recently released &#8220;Jerk It&#8221; EP is probably one of my favorite dance records of the year.  So fucking good.</p>
<p><b>Tim and Eric &#8211; <i>Awesome Record, Great Songs</i></b><br />
As a big fan of &#8220;Tom Goes To The Mayor&#8221; and &#8220;Tim and Eric Awesome Show, Great Job!&#8221; you can imagine my excitement when I found out that they&#8217;d released an album compiling almost all of the music from the latter.  Having a hard copy of &#8220;Sports!&#8221;, &#8220;I Sit Down When I Pee&#8221;, &#8220;Time Travel&#8221;, &#8220;Here She Comes&#8221;, &#8220;Beaver Boys&#8221;, and &#8220;Pizza Boy&#8221; (sung by the imitable and awesome David Cross) makes it one of the oddest things I could possibly call one of my favourite albums of the year.  And it is.  It&#8217;s just that awesome.  Plus the bonus stuff tacked onto the end is, at least for the time being, a rather neat novelty.  Especially the tracks featuring <a href="http://www.myspace.com/theshins" target="_blank">The Shins</a> and <a href="http://www.myspace.com/builttospill" target="_blank">Built To Spill</a>, and the remix of &#8220;One For Pep Pep&#8221; by&#8230; <a href="http://www.myspace.com/flyinglotus">Flying Lotus</a>!?</p>
<p><b>AC Slater &#8211; <i>Jack Got Jacked</i></b><br />
Sampling the house classic &#8220;Can You Feel It?&#8221; by Mr. Fingers, &#8220;Jack Got Jacked&#8221; takes its source material&#8217;s instantly recognizable vocal part and turns it into a hard-hitting &#8220;fuck you&#8221; you dance music elitists.  Where Mr. Fingers&#8217; original featured a lengthy spoken word vocal that came to be considered the very definition of house music, New York DJ <a href="http://www.myspace.com/theacslater" target="_blank">AC Slater</a> turns it into a simple, short snarl:</p>
<blockquote><p>&#8220;In the beginning, there was Jack, and Jack had a groove&#8211;&#8221;<br />
*sound of several gunshots*<br />
&#8220;Fuck Jack.  Jack got jacked.&#8221;</p></blockquote>
<p>Couple that with the driving, heavy-handed instrumental, and you have what is absolutely one of the year&#8217;s best individual dance tracks.</p>
<p><b>Santogold &#8211; &#8220;Creator&#8221;</b><br />
It took me a while to really &#8220;get&#8221; <a href="http://www.myspace.com/santogold" target="_blank">Santogold</a>.  This track was what finally did me in, and won me over to her side.  Twisting dubstep, dancefloor bangers and her intense (and at times, slightly bizarre) vocals into a hefty, sharp-toungued cocktail of awesome.  That said, however, I am still sort of stuck on what to say about the rest of her self-titled solo debut.</p>
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		<title>Well Well Well&#8230;</title>
		<link>http://heccubus.wordpress.com/2008/10/27/well-well-well/</link>
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		<pubDate>Mon, 27 Oct 2008 13:01:00 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

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		<description><![CDATA[With the multitude of crazy crap that I have going on, I seem to have forgotten about this little thing&#8230;  Well anyway, there&#8217;s a reason I&#8217;m writing here today. As autumn begins to trudge onward toward its latter half, that means that it is time for me to begin going over all of the albums [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=85&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>With the multitude of crazy crap that I have going on, I seem to have forgotten about this little thing&#8230;  Well anyway, there&#8217;s a reason I&#8217;m writing here today.</p>
<p>As autumn begins to trudge onward toward its latter half, that means that it is time for me to begin going over all of the albums I&#8217;ve acquired in 2008 and start working out my list of the best, the worst, the underrated gems, and whatever other random crap I manage to make lists of.  Now in years past, this was a daunting enough task as it is.  However, this year I&#8217;ve managed to build up a list of about 300 (and counting) albums released this year <i>alone</i>.  So far I&#8217;ve picked out 26 releases that I have temporarily dubbed &#8220;Good&#8221;, 29 that I&#8217;m calling &#8220;Bad&#8221; and then&#8230;well the rest I either need to come to a decision on or actually get around to listening to.  So, if you want to maybe track what I&#8217;m listening to, and have yet to listen to, you can check out <a href="http://heccubus.wordpress.com/2008-in-music/">this page right here</a>, which I will be keeping updated as I sort through everything and decide on what I think of it.  The actual lists won&#8217;t be coming around until January or so, but until then, watch <a href="http://heccubus.wordpress.com/2008-in-music/">the 2008 page</a> and maybe start a betting pool on what you think I&#8217;ll be ultimately choosing as my best and worst albums of the year!</p>
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		<title>Say, Then&#8230;</title>
		<link>http://heccubus.wordpress.com/2008/09/06/say-then/</link>
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		<pubDate>Sat, 06 Sep 2008 19:53:16 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Lists]]></category>

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		<description><![CDATA[&#8220;&#8230;how much do you have to listen to, there?&#8221; This is the question I was asked after posting that last article on here outlining my favorite albums of the year so far. So, to the person who asked me, don&#8217;t say you weren&#8217;t warned: Acid Mothers Temple &#38; the Melting Paraiso U.F.O. &#8211; Recurring Dream [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=82&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>&#8220;&#8230;how much <i>do</i> you have to listen to, there?&#8221;  This is the question I was asked after posting that last article on here outlining my favorite albums of the year so far.  So, to the person who asked me, don&#8217;t say you weren&#8217;t warned:</p>
<ul>
<li><b>Acid Mothers Temple &amp; the Melting Paraiso U.F.O.</b> &#8211; <i>Recurring Dream and Apocalypse of Darkness</i></li>
<li><b>Alina Orlova</b> &#8211; <i>Laukinis šuo dingo</i></li>
<li><b>Anthony Braxton</b> &#8211; <i>Quartet (GTM) 2006</i></li>
<li><b>Atmosphere</b> &#8211; <i>When Life Gives You Lemons, You Paint That Shit Gold</i></li>
<li><b>Averse Sefira</b> &#8211; <i>Advent Parallax</i></li>
<li><b>Azeda Booth</b> &#8211; <i>In Flesh Tones</i></li>
<li><b>Bauhaus</b> &#8211; <i>Go Away White</i></li>
<li><b>Be Your Own Pet</b> &#8211; <i>Get Awkward</i></li>
<li><b>Beck</b> &#8211; <i>Modern Guilt</i></li>
<li><b>Black Devil Disco Club</b> &#8211; <i>Eight Oh Eight</i></li>
<li><b>The Black Dog</b> &#8211; <i>Radio Scarecrow</i></li>
<li><b>The Black Ghosts</b> &#8211; <i>The Black Ghosts</i></li>
<li><b>The Black Keys</b> &#8211; <i>Attack &amp; Release</i></li>
<li><b>Black Pus</b> &#8211; <i>Black Pus 4: All Aboard the Magic Pus</i></li>
<li><b>Bloc Party</b> &#8211; <i>Intimacy</i></li>
<li><b>Blood on the Wall</b> &#8211; <i>Liferz</i></li>
<li><b>Bodies of Water</b> &#8211; <i>A Certain Feeling</i></li>
<li><b>Bonnie &#8220;Prince&#8221; Billy</b> &#8211; <i>Lie Down in the Light</i></li>
<li><b>Brazilian Girls</b> &#8211; <i>New York City</i></li>
<li><b>The Breeders</b> &#8211; <i>Mountain Battles</i></li>
<li><b>Brendan Canning</b> &#8211; <i>Something for All of Us&#8230;</i></li>
<li><b>Calexico</b> &#8211; <i>Carried to Dust</i></li>
<li><b>Cansei de Ser Sexy (CSS)</b> &#8211; <i>Donkey</i></li>
<li><b>Cat Power</b> &#8211; <i>Jukebox</i></li>
<li><b>Clinic</b> &#8211; <i>Do It!</i></li>
<li><b>Conor Oberst</b> &#8211; <i>Conor Oberst</i></li>
<li><b>Constantines</b> &#8211; <i>Kensington Heights</i></li>
<li><b>The Cool Kids</b> &#8211; <i>The Bake Sale</i></li>
<li><b>Crystal Stilts</b> &#8211; <i>Crystal Stilts</i></li>
<li><b>Cult of Luna</b> &#8211; <i>Eternal Kingdom</i></li>
<li><b>The Dandy Warhols</b> &#8211; <i>Earth to the Dandy Warhols</i></li>
<li><b>Dead Child</b> &#8211; <i>Attack</i></li>
<li><b>Dead Meadow</b> &#8211; <i>Old Growth</i></li>
<li><b>Deadbird</b> &#8211; <i>Twilight Ritual</i></li>
<li><b>Del tha Funkee Homosapien</b> &#8211; <i>Eleventh Hour</i></li>
<li><b>Delays</b> &#8211; <i>Everything&#8217;s the Rush</i></li>
<li><b>Destroyer</b> &#8211; <i>Trouble in Dreams</i></li>
<li><b>Dirty Pretty Things</b> &#8211; <i>Romance at Short Notice</i></li>
<li><b>DiskJokke</b> &#8211; <i>Staying In</i></li>
<li><b>DJ Shadow &amp; Cut Chemist</b> &#8211; <i>The Hard Sell</i></li>
<li><b>The Dodos</b> &#8211; <i>Visiter</i></li>
<li><b>Don Caballero</b> &#8211; <i>Punkgasm</i></li>
<li><b>Eat Skull</b> &#8211; <i>Sick to Death</i></li>
<li><b>The Faint</b> &#8211; <i>Fasciinatiion</i></li>
<li><b>Fleet Foxes</b> &#8211; <i>Fleet Foxes</i></li>
<li><b>Flying Lotus</b> &#8211; <i>Los Angeles</i></li>
<li><b>Foals</b> &#8211; <i>Antidotes</i></li>
<li><b>Foxboro Hot Tubs</b> &#8211; <i>Stop Drop and Roll!!!</i></li>
<li><b>French Kicks</b> &#8211; <i>Swimming</i></li>
<li><b>The Futureheads</b> &#8211; <i>This Is Not the World</i></li>
<li><b>The Game</b> &#8211; <i>LAX</i></li>
<li><b>Gnarls Barkley</b> &#8211; <i>The Odd Couple</i></li>
<li><b>Grails</b> &#8211; <i>Take Refuge in Clean Living</i></li>
<li><b>The Gutter Twins</b> &#8211; <i>Saturnalia</i></li>
<li><b>Hair Police</b> &#8211; <i>The Certainty of Swarms</i></li>
<li><b>The Harpeth Trace</b> &#8211; <i>On Disappearing</i></li>
<li><b>Harvey Milk</b> &#8211; <i>Life&#8230; The Best Game in Town</i></li>
<li><b>Have a Nice Life</b> &#8211; <i>Deathconsciousness</i></li>
<li><b>Hawksley Workman</b> &#8211; <i>Between the Beautifuls</i></li>
<li><b>Hayden</b> &#8211; <i>In Field &amp; Town</i></li>
<li><b>The Hold Steady</b> &#8211; <i>Stay Positive</i></li>
<li><b>The Horror The Horror</b> &#8211; <i>Wired Boy Child</i></li>
<li><b>Human Bell</b> &#8211; <i>Human Bell</i></li>
<li><b>Human Highway</b> &#8211; <i>Moody Motorcycle</i></li>
<li><b>Islands</b> &#8211; <i>Arm&#8217;s Way</i></li>
<li><b>Jaguar Love</b> &#8211; <i>Take Me to the Sea</i></li>
<li><b>Jandek</b> &#8211; <i>The Myth of Blue Icicles</i></li>
<li><b>Joan of Arc</b> &#8211; <i>Boo! Human</i></li>
<li><b>John Zorn</b> &#8211; <i>The Dreamers</i></li>
<li><b>Jon Mueller</b> &#8211; <i>Metals</i></li>
<li><b>Justus Köhncke</b> &#8211; <i>Safe and Sound</i></li>
<li><b>The Kills</b> &#8211; <i>Midnight Boom</i></li>
<li><b>Krallice</b> &#8211; <i>Krallice</i></li>
<li><b>KRS-One</b> &#8211; <i>Maximum Strength Two Thousand Eight</i></li>
<li><b>Ladytron</b> &#8211; <i>Velocifero</i></li>
<li><b>The Last Shadow Puppets</b> &#8211; <i>The Age of the Understatement</i></li>
<li><b>Leviathan</b> &#8211; <i>Massive Conspiracy Against All Life</i></li>
<li><b>Lindstrøm</b> &#8211; <i>Where You Go I Go Too</i></li>
<li><b>The Long Blondes</b> &#8211; <i>Couples</i></li>
<li><b>Made Out of Babies</b> &#8211; <i>The Ruiner</i></li>
<li><b>The Magnetic Fields</b> &#8211; <i>Distortion</i></li>
<li><b>Mates of State</b> &#8211; <i>Re-Arrange Us</i></li>
<li><b>Matmos</b> &#8211; <i>Supreme Balloon</i></li>
<li><b>Matthew Sweet</b> &#8211; <i>Sunshine Lies</i></li>
<li><b>Mercury Rev</b> &#8211; <i>Snowflake Midnight</i></li>
<li><b>Meshuggah</b> &#8211; <i>obZen</i></li>
<li><b>Mike Patton</b> &#8211; <i>A Perfect Place</i></li>
<li><b>Mogwai</b> &#8211; <i>The Hawk Is Howling</i></li>
<li><b>Motörhead</b> &#8211; <i>Motörizer</i></li>
<li><b>Mudcrutch</b> &#8211; <i>Mudcrutch</i></li>
<li><b>Mudhoney</b> &#8211; <i>The Lucky Ones</i></li>
<li><b>My Morning Jacket</b> &#8211; <i>Evil Urges</i></li>
<li><b>N.E.R.D.</b> &#8211; <i>Seeing Sounds</i></li>
<li><b>Nachtmystium</b> &#8211; <i>Assassins: Black Meddle Pt. 1</i></li>
<li><b>Nas</b> &#8211; <i>Untitled</i></li>
<li><b>Neon Neon</b> &#8211; <i>Stainless Style</i></li>
<li><b>Nick Cave and the Bad Seeds</b> &#8211; <i>Dig, Lazarus, Dig!!!</i></li>
<li><b>Nine Inch Nails</b> &#8211; <i>Ghosts I-IV</i></li>
<li><b>Nine Inch Nails</b> &#8211; <i>The Slip</i></li>
<li><b>No Age</b> &#8211; <i>Nouns</i></li>
<li><b>Nortt</b> &#8211; <i>Galgenfrist</i></li>
<li><b>Ocrilim</b> &#8211; <i>Annwn</i></li>
<li><b>Of Montreal</b> &#8211; <i>Skeletal Lamping</i></li>
<li><b>Thee Oh Sees</b> &#8211; <i>The Master&#8217;s Bedroom Is Worth Spending a Night In</i></li>
<li><b>Thee Oh Sees</b> &#8211; <i>Thee Hounds of Foggy Notion</i></li>
<li><b>Okkervil River</b> &#8211; <i>The Stand Ins</i></li>
<li><b>Opeth</b> &#8211; <i>Watershed</i></li>
<li><b>Oppenheimer</b> &#8211; <i>Take the Whole Midrange and Boost It</i></li>
<li><b>Patti Smith &amp; Kevin Shields</b> &#8211; <i>The Coral Sea</i></li>
<li><b>Phantom Planet</b> &#8211; <i>Raise the Dead</i></li>
<li><b>Poni Hoax</b> &#8211; <i>Images of Sigrid</i></li>
<li><b>Ponytail</b> &#8211; <i>Ice Cream Spiritual</i></li>
<li><b>Pop Levi</b> &#8211; <i>Never Never Love</i></li>
<li><b>The Presidents of the United States of America</b> &#8211; <i>These Are the Good Times People</i></li>
<li><b>Protest the Hero</b> &#8211; <i>Fortress</i></li>
<li><b>Ra Ra Riot</b> &#8211; <i>The Rhumb Line</i></li>
<li><b>Re-Up Gang</b> &#8211; <i>Clipse Presents: Re-Up Gang</i></li>
<li><b>Retribution Gospel Choir</b> &#8211; <i>Retribution Gospel Choir</i></li>
<li><b>RZA</b> &#8211; <i>Digi Snacks</i></li>
<li><b>Sam Sparro</b> &#8211; <i>Sam Sparro</i></li>
<li><b>Shai Hulud</b> &#8211; <i>Misanthropy Pure</i></li>
<li><b>Sigur Rós</b> &#8211; <i>Með suð í eyrum við spilum endalaust</i></li>
<li><b>Skullflower</b> &#8211; <i>Desire for a Holy War</i></li>
<li><b>Sload</b> &#8211; <i>Parallel Play</i></li>
<li><b>Snoop Dogg</b> &#8211; <i>Ego Trippin’</i></li>
<li><b>Spark Is A Diamond</b> &#8211; <i>Try This on for Size</i></li>
<li><b>Spiritualized</b> &#8211; <i>Songs in A&amp;E</i></li>
<li><b>Ssion</b> &#8211; <i>Fool&#8217;s Gold</i></li>
<li><b>Stephen Malkmus &amp; The Jicks</b> &#8211; <i>Real Emotional Trash</i></li>
<li><b>Stephen O&#8217;Malley &amp; Attila Csihar</b> &#8211; <i>6°Fskyquake</i></li>
<li><b>The Stills</b> &#8211; <i>Oceans Will Rise</i></li>
<li><b>Strategy</b> &#8211; <i>Music for Lamping</i></li>
<li><b>Sun Kil Moon</b> &#8211; <i>April</i></li>
<li><b>{{{Sunset}}}</b> &#8211; <i>Bright Blue Dream</i></li>
<li><b>{{{Sunset}}}</b> &#8211; <i>The Glowing City</i></li>
<li><b>The Sword</b> &#8211; <i>Gods of the Earth</i></li>
<li><b>Tapes &#8216;n Tapes</b> &#8211; <i>Walk It Off</i></li>
<li><b>These New Puritans</b> &#8211; <i>Beat Pyramid</i></li>
<li><b>This Will Destroy You</b> &#8211; <i>This Will Destroy You</i></li>
<li><b>Tokyo Police Club</b> &#8211; <i>Elephant Shell</i></li>
<li><b>Torche</b> &#8211; <i>Meanderthal</i></li>
<li><b>Truckasauras</b> &#8211; <i>Tea Parties, Guns and Valor</i></li>
<li><b>Underoath</b> &#8211; <i>Lost in the Sound of Separation</i></li>
<li><b>Vampire Hands</b> &#8211; <i>Me and You Cherry Red</i></li>
<li><b>Venetian Snares</b> &#8211; <i>Detrimentalist</i></li>
<li><b>The Verve</b> &#8211; <i>Forth</i></li>
<li><b>The Walkmen</b> &#8211; <i>You &amp; Me</i></li>
<li><b>Why?</b> &#8211; <i>Alopecia</i></li>
<li><b>Wiley</b> &#8211; <i>Grime Wave</i></li>
<li><b>Wolf Parade</b> &#8211; <i>At Mount Zoomer</i></li>
<li><b>Zach Hill</b> &#8211; <i>Astrological Straits</i></li>
</ul>
<p>So I have some listening to do.</p>
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		<title>A Quick One</title>
		<link>http://heccubus.wordpress.com/2008/09/05/a-quick-one/</link>
		<comments>http://heccubus.wordpress.com/2008/09/05/a-quick-one/#comments</comments>
		<pubDate>Fri, 05 Sep 2008 10:45:08 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=77</guid>
		<description><![CDATA[I know, I know.  It&#8217;s been more than two months.  Believe me when I say I&#8217;m just as devastated as you are.  But I figured, it&#8217;s September.  This is (honestly) usually around the time where I start working on rounding up a few of my picks for the year&#8217;s best albums.  This way, once December [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=77&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I know, I know.  It&#8217;s been more than two months.  Believe me when I say I&#8217;m just as devastated as you are.  But I figured, it&#8217;s September.  This is (honestly) usually around the time where I start working on rounding up a few of my picks for the year&#8217;s best albums.  This way, once December rolls around and I do my usual year-end wrap up thing that no one actually reads / cares about, I don&#8217;t have to sit for two weeks straight doing nothing but listen to albums.  SO HERE WE GO (in no particular order):</p>
<ul>
<li><b>A Silver Mt. Zion</b> &#8211; <i>13 Blues for Thirteen Moons</i></li>
<li><b>Atlas Sound</b> &#8211; <i>Let the Blind Lead Those Who Can See but Cannot Feel</i></li>
<li><b>A-Trak</b> &#8211; <i>Running Man</i></li>
<li><b>Black Mountain</b> &#8211; <i>In the Future</i></li>
<li><b>Boris</b> &#8211; <i>Smile</i></li>
<li><b>Cadence Weapon</b> &#8211; <i>Afterparty Babies</i></li>
<li><b>Deerhunter</b> &#8211; <i>Microcastle</i></li>
<li><b>Disfear</b> &#8211; <i>Live the Storm</i></li>
<li><b>Earth</b> &#8211; <i>The Bees Made Honey in the Lion&#8217;s Skull</i></li>
<li><b>Erykah Badu</b> &#8211; <i>New Amerykah Part One (4th World War)</i></li>
<li><b>Genghis Tron</b> &#8211; <i>Board Up the House</i></li>
<li><b>Hercules and Love Affair</b> &#8211; <i>Hercules and Love Affair</i></li>
<li><b>John Zorn</b> &#8211; <i>Filmworks XIX: The Rain Horse</i></li>
<li><b>Lil Wayne</b> &#8211; <i>Tha Carter III</i></li>
<li><b>M83</b> &#8211; <i>Saturdays = Youth</i></li>
<li><b>Machines Don&#8217;t Care</b> &#8211; <i>Machines Don&#8217;t Care</i></li>
<li><b>The Mountain Goats</b> &#8211; <i>Heretic Pride</i></li>
<li><b>Portishead</b> &#8211; <i>Third</i></li>
<li><b>Ratatat</b> &#8211; <i>LP3</i></li>
<li><b>Times New Viking</b> &#8211; <i>Rip It Off</i></li>
</ul>
<p>So&#8230;that&#8217;s all for now.  I still have a massive stack of music to get through before I can start paring things down, but I think that&#8217;s a good start.  I mean, I still have albums by Acid Mothers Temple, Alina Orlova, Anthony Braxton, Atmosphere, Averse Sefira, Azeda Booth, Bauhaus, Be Your Own Pet, Beck, Black Devil Disco Club (requires a closer listen, I think), The Black Dog, The Black Ghosts, The Black Keys, Black Pus, Bloc Party and well, you get the idea.  A LOT.<br />
I promise to try and post more.</p>
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		<title>Heccubus’ Musical Guide To Summer 2008</title>
		<link>http://heccubus.wordpress.com/2008/07/04/heccubus%e2%80%99-musical-guide-to-summer-2008/</link>
		<comments>http://heccubus.wordpress.com/2008/07/04/heccubus%e2%80%99-musical-guide-to-summer-2008/#comments</comments>
		<pubDate>Fri, 04 Jul 2008 15:34:33 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Lists]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=73</guid>
		<description><![CDATA[Just like with spring, just doing a quick rundown of the stuff I&#8217;m looking forward to over the next couple of months for various reasons (expecting awesomeness, expecting horror, expecting hilarity, etc). July 7 Beck &#8211; Modern Guilt Black Kids &#8211; Partie Traumatic July 8 Albert Hammond Jr. &#8211; Como Te Llama? Architecture in Helsinki [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=73&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Just like with spring, just doing a quick rundown of the stuff I&#8217;m looking forward to over the next couple of months for various reasons (expecting awesomeness, expecting horror, expecting hilarity, etc).</p>
<p><b>July 7</b></p>
<ul>
<li>Beck &#8211; <i>Modern Guilt</i></li>
<li>Black Kids &#8211; <i>Partie Traumatic</i></li>
</ul>
<p><b>July 8</b></p>
<ul>
<li>Albert Hammond Jr. &#8211; <i>Como Te Llama?</i></li>
<li>Architecture in Helsinki &#8211; <i>Like It Or Not EP</i></li>
<li>The Black Ghosts &#8211; <i>The Black Ghosts</i></li>
<li>Liars &#8211; <i>Freak Out EP</i></li>
<li>Melvins &#8211; <i>Nude With Boots</i></li>
<li>Ratatat &#8211; <i>LP3</i></li>
<li>Venetian Snares &#8211; <i>Detrimentalist</i></li>
</ul>
<p><b>July 11</b></p>
<ul>
<li>Patti Smith and Kevin Shields &#8211; <i>The Coral Sea</i></li>
</ul>
<p><b>July 14</b></p>
<ul>
<li>CSS &#8211; <i>Donkey</i></li>
<li>The Hold Steady &#8211; <i>Stay Positive</i></li>
</ul>
<p><b>July 15</b></p>
<ul>
<li>Black Devil Disco Club &#8211; <i>Eight Oh Eight</i></li>
<li>Nas &#8211; <i>Untitled</i></li>
</ul>
<p><b>July 22</b></p>
<ul>
<li>Bodies of Water &#8211; <i>A Certain Feeling</i></li>
<li>Brendan Canning &#8211; <i>Something for All of Us</i></li>
<li>The Game &#8211; <i>L.A.X.</i></li>
<li>Julie Doiron &#8211; <i>Loneliest in the Morning</i></li>
<li>Prurient &#8211; <i>Arrowhead</i></li>
</ul>
<p><b>July 28</b></p>
<ul>
<li>Simian Mobile Disco &#8211; <i>Sample and Hold</i></li>
<li>Sonic Youth &#8211; <i>SYR8: Andre Sider Af Sonic Youth</i></li>
</ul>
<p><b>August 5</b></p>
<ul>
<li>Conor Oberst &#8211; <i>Conor Oberst</i></li>
<li>The Faint &#8211; <i>Fasciination</i></li>
<li>Re-Up Gang &#8211; <i>Clipse Presents: Re-Up Gang</i></li>
</ul>
<p><b>August 19</b></p>
<ul>
<li>The Dandy Warhols &#8211; <i>Earth to the Dandy Warhols</i></li>
<li>Don Caballero &#8211; <i>Punkgasm</i></li>
<li>The Fiery Furnaces &#8211; <i>Remember</i></li>
<li>Jesu &#8211; <i>Why Are We Not Perfect?</i></li>
<li>Lindstrøm &#8211; <i>Where You Go I Go Too</i></li>
<li>Ra Ra Riot &#8211; <i>The Rhumb Line</i></li>
<li>The Stills &#8211; <i>Oceans Will Rise</i></li>
<li>T.I. &#8211; <i>Paper Trail</i></li>
<li>The Verve &#8211; <i>Forth</i></li>
<li>The Walkmen &#8211; <i>You &amp; Me</i></li>
</ul>
<p><b>August 26</b></p>
<ul>
<li>Zach Hill &#8211; <i>Astrological Straights</i></li>
</ul>
<p><b>September 2</b></p>
<ul>
<li>Brian Wilson &#8211; <i>That Lucky Old Sun</i></li>
</ul>
<p><b>September 8</b></p>
<ul>
<li>Mogwai &#8211; <i>Batcat EP</i></li>
</ul>
<p><b>September 9</b></p>
<ul>
<li>Calexico &#8211; <i>Carried to Dust</i></li>
<li>Okkervil River &#8211; <i>The Stand Ins</i></li>
</ul>
<p><b>September 13</b></p>
<ul>
<li>The Cure &#8211; <i>TBA</i></li>
</ul>
<p><b>September 16</b></p>
<ul>
<li>Fujiya &amp; Miyagi &#8211; <i>Lightbulbs</i></li>
<li>Simian Mobile Disco &#8211; <i>FABRICLIVE 41</i></li>
</ul>
<p><b>September 22</b></p>
<ul>
<li>Serena Maneesh &#8211; <i>SM Backwards</i></li>
</ul>
<p><b>September 23</b></p>
<ul>
<li>Brightblack Morning Light &#8211; <i>Motion to Rejoin</i></li>
<li>Girl Talk &#8211; <i>Feed the Animals</i></li>
<li>Mogwai &#8211; <i>The Hawk Is Howling</i></li>
</ul>
<p><b>September 30</b></p>
<ul>
<li>Mercury Rev &#8211; <i>Snowflake Midnight / Strange Attractor</i></li>
</ul>
<p><b>October 6</b></p>
<ul>
<li>Annie &#8211; <i>Don’t Stop</i></li>
</ul>
<p><b>October 7</b></p>
<ul>
<li>Lambchop &#8211; <i>OH (ohio)</i></li>
<li>Marnie Stern &#8211; <i>TBA</i></li>
<li>Of Montreal &#8211; <i>Skeletal Lamping</i></li>
</ul>
<p>Huh&#8230;pretty slim pickings compared to the spring list&#8230;  Looks like I&#8217;ll have plenty of chances this summer to catch up on things that I may have missed from earlier in the year.</p>
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		<title>It&#8217;s Been A While</title>
		<link>http://heccubus.wordpress.com/2008/07/03/its-been-a-while/</link>
		<comments>http://heccubus.wordpress.com/2008/07/03/its-been-a-while/#comments</comments>
		<pubDate>Thu, 03 Jul 2008 06:19:59 +0000</pubDate>
		<dc:creator>heccubus</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://heccubus.wordpress.com/?p=69</guid>
		<description><![CDATA[As covered before, I&#8217;m not very good at keeping up with things on here. I know. I should really make an effort to get my shit together and actually update more often. Considering all of the exciting things that have been going on with music lately, it would certainly make sense. I think that with [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=heccubus.wordpress.com&amp;blog=1471195&amp;post=69&amp;subd=heccubus&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>As covered before, I&#8217;m not very good at keeping up with things on here.  I know.  I should really make an effort to get my shit together and actually update more often.  Considering all of the <em>exciting</em> things that have been going on with music lately, it would certainly make sense.</p>
<p>I think that with the year just over the halfway point, it&#8217;s a good time to run down my 2008 collection so far and sort out the good from the bad.  So rather than continuing to blather on pointlessly, let&#8217;s get to this:</p>
<p><strong>A Silver Mt. Zion</strong> &#8211; <em>13 Blues For Thirteen Moons</em><br />
This is one of those albums that makes me wonder why there was a time when I disliked post-rock more than just about anything else.  These guys haven&#8217;t done anything this great since they were in <strong>Godspeed You! Black Emperor</strong>.</p>
<p><strong>Ellen Allien</strong> &#8211; <em>SOOL</em><br />
I loved her collaborative release with Apparat, but short of that I&#8217;ve never exactly been a huge fan of Allien.  I could get into her stuff occasionally, and do enjoy a couple of her LPs, but this one is just embarassing for all involved.</p>
<p><strong>Amp Live</strong> &#8211; <em>Rainydayz Remixes</em><br />
It makes me wish that they hadn&#8217;t let him release it after all.  Awful.</p>
<p><strong>Steve Aoki</strong> &#8211; <em>Pillowface and His Airplane Chronicles</em><br />
Not only one of the worst mixes I&#8217;ve heard this year, but one of the worst I&#8217;ve heard <em>ever</em>.  It basically consists of Aoki going &#8220;HEY!  CHECK OUT ALL THESE PEOPLE I KNOW!&#8221;  It&#8217;s about an hour of name-dropping and a constant who&#8217;s-who of the dance music that was big at the time it was released.  No crate-digging, nothing to separate it from the barrage of bedroom mixtapes available online for free, and nothing at all even remotely interesting.  Aoki, from what I&#8217;ve heard, is a good live DJ, but this mixtape doesn&#8217;t exactly show it.</p>
<p><strong>Atlas Sound</strong> &#8211; <em>Let the Blind Lead Those Who Can See but Cannot Feel</em><br />
Deer (get it?) Bradford Cox:<br />
Please stop making awesome albums that make me completely neglect the vast majority of my acquisitions.</p>
<p><strong>A-Trak</strong> &#8211; <em>Running Man</em><br />
Regardless of what a lot of people seem to be saying, this is more or less my favorite commercial mix of the year.  A-Trak has a way of making music that&#8217;s kind of so-so sound really fresh and exciting (see: <em>Dirty South Dance</em>) and this album&#8211;which is being called his first LP for some reason&#8211;is no real exception.</p>
<p><strong>Autechre</strong> &#8211; <em>Quaristice</em><br />
I never thought I would say this about an Autechre album, but this is fucking <em>boring</em>.  Maybe I&#8217;ve just gotten so sick of the whole &#8220;IDM&#8221; thing that I no longer feel any real connection to clickity-clack beats and ambient synths, but I really expected more from these guys.  They&#8217;ve never disappointed before, so I think my expectations were fair and justified, but this album just fails to deliver on every conceivable level.</p>
<p><strong>The B-52&#8242;s</strong> &#8211; <em>Funplex</em><br />
The joke is over.  Please leave now.</p>
<p><strong>Beach House</strong> &#8211; <em>Devotion</em><br />
Maybe I just don&#8217;t &#8220;get&#8221; these guys, but both this and their last album didn&#8217;t impress me at all.  It&#8217;s just&#8230;bland.  Boring.  It&#8217;s the audio equivalent to beige.</p>
<p><strong>Black Devil Disco Club</strong> &#8211; <em>Eight Oh Eight</em><br />
It&#8217;s pretty much more of the same, but that isn&#8217;t really a problem to me.  Actually, come to think of it, he&#8217;s pretty much just made the same album three times now.  Still, though, I like it.  It&#8217;s more creepy Italo-disco with bizarre vocals, dense electronics, and the same beat carrying the course of the album.  Nothing great, but definitely enjoyable.</p>
<p><strong>Black Mountain</strong> &#8211; <em>In the Future</em><br />
Why is this getting such lukewarm reviews?  It&#8217;s one of my choice rock albums of the year.  Definitely something I&#8217;d recommend without a second thought.</p>
<p><strong>Bobmo</strong> &#8211; <em>To The Bobmobile</em> &amp; <em>3000% Yes</em><br />
Much like <strong>Hostage</strong>, Bobmo is doing dance music that blends the currently trendy hard electro sounds coming out of Europe with old school rave sounds.  The result isn&#8217;t anything amazing or groundbreaking, but fuck me if it isn&#8217;t fun as hell.</p>
<p><strong>Booka Shade</strong> &#8211; <em>The Sun &amp; The Neon Light</em><br />
Well, guys, at least your last album was good.  So far you&#8217;re one for three.  Better luck next time.</p>
<p><strong>Boris</strong> &#8211; <em>Smile</em><br />
Another album getting some pretty underwhelming reviews for reasons that I cannot fathom.  Maybe it&#8217;s just my Boris fandom getting in the way, but I think this is on the level of, not necessarily their best, but definitely their stronger work.</p>
<p><strong>Boys Noize</strong> &#8211; <em>Oi Oi Oi Remixed</em><br />
Remix albums.  What&#8217;s the deal?  The plus side here is that with standout remixes and edits by Feadz, A-Trak, Para One, Apparat, and Surkin, this is one of the few collections of remixes that I can actually enjoy.  It doesn&#8217;t come anywhere near the original LP, but it&#8217;s still a solid set.</p>
<p><strong>Cadence Weapon</strong> &#8211; <em>Afterparty Babies</em><br />
Rollie Pemberton has a habit of making me laugh just seconds after dropping a verse so venemous that you almost miss the barbed jokes that he sticks into them.  His lyrical prowess is definitely his strongest selling point, and he doesn&#8217;t disappoint on his second album.  The beats are solid, though I found myself more impressed with the sounds on <em>Breaking Kayfabe</em>.  Overall a good album.</p>
<p><strong>Crookers</strong> &#8211; <em>Knobbers</em><br />
Crookers are shit hot right now.  Their remixes (along with <strong>The Bloody Beetroots</strong>) are probably the most in-demand at the moment, and they get dropped in just about every single mixtape that I&#8217;ve heard for the past four or five months.  Hell, their remix of the Chemical Brothers&#8217; &#8220;The Salmon Dance&#8221; has got to be one of the most overused tracks I&#8217;ve come across in quite a while.  This EP is basic Crookers fare: thudding kick drums, handclaps, and loopy synths.  Basically, it&#8217;s awesome.</p>
<p><strong>Crystal Castles</strong> &#8211; <em>Crystal Castles</em><br />
What happened?  Seriously, they released such a ridiculous string of solid singles and EPs before finally hustling out their debut LP that I figured the album was a sure thing.  Turns out all that stuff they didn&#8217;t already have out wasn&#8217;t really worth releasing.  The middling, boring tracks that flesh out their established standards bring the album well below &#8220;awesome&#8221; and into &#8220;yeah it&#8217;s okay&#8221; territory.</p>
<p><strong>Cut Copy</strong> &#8211; <em>In Ghost Colours</em><br />
It&#8217;s getting some good response, but that doesn&#8217;t help the fact that it&#8217;s somehow even more bland and uninteresting than their last pile of overly derivative nonsense.</p>
<p><strong>Death Cab For Cutie</strong> &#8211; <em>Narrow Stairs</em><br />
Hey, Ben Gibbard.  No one wants you to write songs that run upwards of nine minutes long.  In addition, no one wants that nine minute track to be the album&#8217;s first single.  Oh wait, for the single version you edited out the ridiculous four minute introduction.  So why the fuck do you need it in there for the album version?  Honestly that ruined this album for me.  It breaks up the whole thing with four minutes of pointless wankery that could have easily been left out.  Not to mention that, shy of some attempts at what I guess is supposed to be &#8220;progressive&#8221; sounds, it sounds like everything else they&#8217;ve ever done.  And frankly, Death Cab were never <em>that</em> exciting to begin with.</p>
<p><strong>Deerhunter</strong> &#8211; <em>Microcastle</em><br />
&#8220;Oh hi there, awesome album.  How are you?  Oh what&#8217;s that?  Oh the new Deerhunter?  Well I guess I should go then, awesome album.  Because I have to go listen to what is basically a far better album than you.&#8221;  Yeah <em>Microcastle</em> is great.</p>
<p><strong>Does It Offend You, Yeah?</strong> &#8211; <em>You Have No Idea What You&#8217;re Getting Yourself Into</em><br />
Actually, yes it does offend me.  Or rather, more specifically, it offends my ears.</p>
<p><strong>DSL</strong> &#8211; <em>Invaders</em><br />
Ed Banger has really fallen off the radar this year, and when this is the kind of stuff they&#8217;re releasing it&#8217;s no surprise.  It&#8217;s like the worst of their old catalogue wrapped into one boring electro-rap album.  Like TTC for dummies.</p>
<p><strong>E-603</strong> &#8211; <em>Something For Everyone</em><br />
This thing with mashing up underground and indie stuff with mainstream hip hop acapellas is getting out of control.  It&#8217;s a good thing, then, that E-603 does it so fucking well.  Check this out.  Seriously.</p>
<p><strong>Earth</strong> &#8211; <em>The Bees Made Honey in the Lion&#8217;s Skull</em><br />
Drone metal gods Earth have been steadily cranking out solid material since they dropped back into the spotlight a few years back.  Their first &#8220;true&#8221; LP since returning is no exception.  It&#8217;s good old Earth drone and doom with their newfound mix of Americana and country tossed in for good measure.</p>
<p><strong>Feadz</strong> &#8211; <em>Happy Meal EP</em><br />
What I said earlier about Ed Banger is kind of ridiculous if the only EB release you&#8217;ve heard this year is the latest from Feadz.  Not only does it include the mind-blowing single &#8220;Edwrecker&#8221;, but every track here follows suit with that song&#8217;s punishing drums and fluid synths.  Easily the best of the label&#8217;s cannon so far this year.</p>
<p><strong>Flight of the Conchords</strong> &#8211; <em>Flight of the Conchords</em><br />
It&#8217;s funny.  That&#8217;s really it.  Though I will say that &#8220;Inner City Pressure&#8221; is somehow a legitimately <em>good</em> song.  The album is good for a chuckle, especially if, like me, you&#8217;re a fan of the show.</p>
<p><strong>Fuck Buttons</strong> &#8211; <em>Street Horrrsing</em><br />
Why is everyone so into this album?  It&#8217;s so&#8230;.boring.  It&#8217;s really not that interesting at all.  Probably the most overrated album of the year.</p>
<p><strong>Gameboy/Gamegirl</strong> &#8211; <em>Golden Ghetto Sex</em><br />
Jesus Christ this is so fucking <em>bad</em>.  I mean&#8230;it&#8217;s awful.  The beats are fun, and that in and of itself is almost redeeming, but fuck&#8230;those rhymes are so fucking terrible.  But&#8230;why do I love it <em>so fucking much</em>?  I can&#8217;t help it.  It&#8217;s awful, but I love it.</p>
<p><strong>Genghis Tron</strong> &#8211; <em>Board Up The House</em><br />
More cybergrind/math metal from Genghis Tron.  They&#8217;ve upped the ante a bit on their electronics, incorporating a more diverse lineup of softsynths and drum samples.  The sound is a little more fleshed out and it has a lot more meat to it.  One of my favorite metal releases of the year so far.</p>
<p><strong>Girl Talk</strong> &#8211; <em>Feed The Animals</em><br />
Overall, it&#8217;s good, yeah.  But&#8230;it just doesn&#8217;t feel quite as fluid as <em>Night Ripper</em>.  Could be worse, but it also could have been a lot better.</p>
<p><strong>Hercules and Love Affair</strong> &#8211; <em>Hercules and Love Affair</em><br />
This is kind of what I&#8217;ve been hoping to see coming out of the DFA offices for a couple of years now.  Antony Hegarty&#8217;s vocals alone add a touch of flair to the overall sound that sets it apart from a lot of dance music seeing wide release these days, but the disco revival synths and beats just put it in a class all its own.  True there are other artists doing similar sounds, but they&#8217;re not doing it nearly as well as this.</p>
<p><strong>Hot Chip</strong> &#8211; <em>Made In The Dark</em><br />
Disappointment embodied.  I think my face fell about ten feet when I heard this the first time.  It&#8217;s not horrible&#8211;not even close&#8211;but I wouldn&#8217;t hold your breath to see it on my year end best-of lists.</p>
<p><strong>Hot Water Music</strong> &#8211; <em>Till The Wheels Fall Off</em><br />
It&#8217;s Hot Water Music.  That&#8217;s all you need to know.  Do you like Hot Water Music?  Well then, like me, you&#8217;ll like this.  Do you not like Hot Water Music?  Well then you won&#8217;t like this.  It&#8217;s a collection of B-sides and rarities from the course of their career, and it acts as a nice summary of their lesser-known works.</p>
<p><strong>Junkie XL</strong> &#8211; <em>Booming Back At You</em><br />
His Elvis remix was terrible.  Based on that, guess how this album turned out?</p>
<p><strong>Lil Wayne</strong> &#8211; <em>Tha Carter III</em><br />
As someone who was somewhat late to the Lil Wayne game (I didn&#8217;t <em>really</em> get into him until last years <em>Da Drought 3</em>) I can&#8217;t say I have any problems with this one.  Maybe it runs a little long at some points, but overall I think it&#8217;s my favorite hip hop album of &#8217;08 so far.</p>
<p><strong>M83</strong> &#8211; <em>Saturdays = Youth</em><br />
Much like <em>Before The Dawn Heals Us</em>, <em>Saturdays = Youth</em> is pushed along by powerful drums, massive sweeping synths, angelic vocals, and pure 80s bombast.  To put that all simply, it&#8217;s great, and is more than likely going to wiggle its way into my final top 10 this year.</p>
<p><strong>MGMT</strong> &#8211; <em>Oracular Spectacular</em><br />
<em>YAAAAAAAAAAAAWWWWWWWWWWWWWWWWWWN</em>.</p>
<p><strong>The Mountain Goats</strong> &#8211; <em>Heretic Pride</em><br />
This album is probably sitting right near the top of their expansive discography, in terms of their best work.  It doesn&#8217;t add a whole lot to their tried-and-true formulas, but it works incredibly well.</p>
<p><strong>MSTRKRFT</strong> &#8211; <em>Bounce</em><br />
MSTRKRFT fans have been waiting since <em>The Looks</em> came out for some fresh material (I don&#8217;t think the 2007 re-edit of &#8220;Street Justice&#8221; counts) and this new single delivers.  Featuring vocal work from N.O.R.E. and Thunderheist&#8217;s leading lady Isis, the track is a big, booming, grinding electro rap track.  Back that one up with the rolling, pounding B-side &#8220;Vuvuvu&#8221; and you have what is basically their strongest single to date.</p>
<p><strong>Neon Neon</strong> &#8211; <em>Stainless Style</em><br />
Gruff Rhys and Boom Bip?  Seriously?  I still can&#8217;t really come up with a viable reason for why this oddball pairing works.  It does, but I&#8217;m not sure why.  The album isn&#8217;t really great, or even one of my favorites for the year so far, but it&#8217;s definitely not bad.  It celebrates 80s pop in a way that few other artists right now are really doing well, no matter how hard they try.</p>
<p><strong>No Age</strong> &#8211; <em>Nouns</em><br />
I&#8217;d still rather take the EP/singles compilation <em>Weirdo Rippers</em>, but this one is definitely worth checking out if you liked their breakthrough release.</p>
<p><strong>Portishead</strong> &#8211; <em>Third</em><br />
Finally!  A &#8220;reunion&#8221; album that isn&#8217;t massively disappointing!  Granted, Portishead never really broke up, per se, but with over 10 years between LPs, they might as well have.  They radically redesigned their sound here, which is great because let&#8217;s face it, no one really needs to see trip hop return.  The new material is just as good, if not better, than anything on <em>Dummy</em>.</p>
<p><strong>The Presets</strong> &#8211; <em>Apocalypso</em><br />
Meh.  It definitely has some great songs, like &#8220;My People&#8221;, but the overall album is flat.</p>
<p><strong>The Roots</strong> &#8211; <em>Rising Down</em><br />
I&#8217;ve been consistently blown away by The Roots since I was in high school and heard <em>Things Fall Apart</em>.  That&#8217;s probably why it bothers me to be so disappointed in this album.  It&#8217;s not the worst thing I&#8217;ve ever heard, but I definitely wouldn&#8217;t put it on the list of stuff to look more closely at when it comes time to make my year-end lists.  It&#8217;s just incredibly mediocre.</p>
<p><strong>S&#8217;Express</strong> &#8211; <em>Stupid Little Girls</em><br />
Aside from the JBAG remix on here, there&#8217;s nothing terribly spectacular about S&#8217;Express&#8217; sudden return.  It can be missed out on if you&#8217;re not already a fan.</p>
<p><strong>Santogold</strong> &#8211; <em>Santogold</em><br />
Why are people making such a big deal out of this chick?  Seriously, there is absolutely nothing at all remarkable about this album.  Wasn&#8217;t she supposed to be &#8220;the new M.I.A.&#8221; or something?  Because it&#8217;s just that I don&#8217;t recall M.I.A. releasing boring, middling exercises in genre-hopping.</p>
<p><strong>SebastiAn</strong> &#8211; <em>Motor</em><br />
I think this goes to further my assertion that the Ed Banger label is losing its grip on the alternative dance music scene.  SebastiAn was, at one point, one of the label&#8217;s hottest producers.  Here, and with his contribution to this year&#8217;s <i>Ed Rec</i> compilation, he sounds like he&#8217;s relying on the same formulas time and time again.</p>
<p><strong>Suffocate for Fuck Sake</strong> &#8211; <em>Blazing Fires and Helicopters on the Front Page of the Newspaper. There&#8217;s a War Going On and I&#8217;m Marching in Heavy Boots.</em><br />
After a few of my peers hyping this band up as if they were the next big thing in hardcore, I caved and decided to check this album out.  Ultimately we wind up with a cross between Godspeed You! Black Emperor and, I don&#8217;t know&#8230;  Melvins or something with bits of Slint tossed in.  The result of that mixing is borderline unlistenable at times.</p>
<p><strong>The Teenagers</strong> &#8211; <em>Reality Check</em><br />
Oh hi there, Mr. #1 Contender For Worst Album Of All Time.  How are you?  I can&#8217;t understand how anyone on Earth can have anything even remotely positive to say about this piece of shit album.  Avoid at all costs.</p>
<p><strong>Times New Viking</strong> &#8211; <em>Rip It Off</em><br />
It&#8217;s Times New Viking.  That&#8217;s all you really need.  If you&#8217;re into lo-fi noise-pop then you&#8217;re going to love this.  At the very least, it&#8217;s easily as good as last year&#8217;s <i>Present The Paisley Reich</i>.  Or maybe even a bit better.</p>
<p><strong>The Ting Tings</strong> &#8211; <em>We Started Nothing</em><br />
I&#8217;ll repeat the review that I wrote on the albums <a href="http://rateyourmusic.com/release/album/the_ting_tings/we_started_nothing/" target="_blank">RateYourMusic entry</a>:</p>
<blockquote><p>The full album title should be &#8220;We Started To Come Up With Some Original Ideas, But Came Up With Nothing, So Here&#8217;s A Bunch Of Recycled Bullshit Instead&#8221;.</p></blockquote>
<p><strong>Vampire Weekend</strong> &#8211; <em>Vampire Weekend</em><br />
Severely overrated.  Severely.</p>
<p><strong>Various Artists</strong> &#8211; <em>Ed Rec Vol. 3</em><br />
And here it is, the year&#8217;s best document of just how far from grace Ed Banger Records has fallen.  Out of 12 tracks, it&#8217;s only Mr. Oizo&#8217;s &#8220;Minuteman&#8217;s Pulse&#8221;, SebastiAn&#8217;s middling &#8220;Dog&#8221; and Feadz&#8217; Spank Rock collaboration &#8220;Back It Up&#8221; that save this from being a total disaster.</p>
<p><strong>Ricardo Villalobos</strong> &#8211; <em>Enfants</em><br />
This EP is so gentle and repetitive that it could be hypnotizing.  Also, it&#8217;s excellent.</p>
<p>There&#8217;s probably some other material I could be covering here, but I started this at about 11:00 AM yesterday.  Having worked on it off and on for fifteen hours now, I think it&#8217;s time I put it to rest.  I have plenty of stuff from 2008 that I haven&#8217;t even had time to listen to yet as well, so there might be another one of these before the year end stuff starts getting written up.  Who knows?</p>
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